"Anderson describes The Royal Tenenbaums as a film about people who peaked early, whose best years are perhaps past. In a way, the movie interrogates the implications: childhood and genius are two cherished states in Western art and culture. Both seem to offer a less fractured sense of self; to allow one to conquer what might otherwise be unbearable; to be celebrated for achievements and indulged in unruly behaviors.
But the Tenenbaums’ genius is more coping mechanism than gift. Royal is a pathological father – negligent toward Chas and his adopted daughter Margot, doting upon Richie only until his failure on the tennis court. Royal possesses the same childish vendettas and selfish goals as Rushmore’s Max Fischer. His wounded children seem to have been formed in reaction, elaborating their own intense interests and abilities to remedy his neglect.”